01/27/2022 | Tehorah (טהורה)

Chamber Philharmonic Orchestra of Łomża, Poland

In commemoration of Holocaust Remembrance Day 2022

Tehorah, which means “pure” in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert sends out a message of hope for peace among the nations.

Adrienne Haan (Vocal, Script)

Michael Zukernik (MD)

Accompanied by the Chamber Philharmonic Orchestra of Łomża

» Tickets

02/12/2022 | Tehorah (טהורה)

Schauspielhaus Bergneustadt, Germany

Within the German-Jewish Year 2021: 1700 Years Jewish Live in German Lands

Tehorah, which means “pure” in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert now commemorates the 75th anniversary of the end of the Holocaust and sends out a message of hope for peace among the nations.

The opening speech is delivered by the Antisemitism Commissioner of the German Federal Government, Dr. Felix Klein who is part of the quartet.

Adrienne Haan (Musical Direction and Script)

Benjamin Schaefer (piano)

Accompanied by the Diplomatic String Quartet Berlin.

Henriette Scheytt (1st violin)
Felix Klein (2nd violin)
Ernst Herzog (viola)
Gabriella Strümpel (cello)

» Tickets

04/01/2022 | Cabaret Français

Pantheon Bonn, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.

Tickets

03/25/2022 | Cabaret Français

The Consulate General of Luxembourg in NY

As part of the Francophonie

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Richard Danley on piano.

Invite only.

04/02/2022 | Adrienne Haan sings Kurt Weill REVIVAL

Triad Theater NYC

“Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo.” (Broadway World!)

“Her vocal power and emotional expressions are second to none!” (The Huffington Post)

“Not your aunt’s feminism for sure!” (Cabaret Scenes)

“A brilliant performer who knows how to capture her audience.” (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan’s fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Richard Danley on the piano and “Nighthawk” Dan Levinson and his Novembergruppe Quintet on 10 instruments, this show is the “talk of the town” (Wolf Entertainment Guide) and “an emotional highlight” (Theater Pizzazz).

Richard Danley (MD, piano)
Dan Levinson (sax, clarinet)
Ben Sutin (violin)
Vinny Raniolo (guitar, banjo)
Jen Hodge (bass, tuba)
Mike Campenni (drums)

This is a 2 pm matinee.

Tickets 

04/05/2022 | Adrienne Haan sings Kurt Weill REVIVAL

Triad Theater NYC

“Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo.” (Broadway World!)

“Her vocal power and emotional expressions are second to none!” (The Huffington Post)

“Not your aunt’s feminism for sure!” (Cabaret Scenes)

“A brilliant performer who knows how to capture her audience.” (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan’s fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Richard Danley on the piano and “Nighthawk” Dan Levinson and his Novembergruppe Quintet on 10 instruments, this show is the “talk of the town” (Wolf Entertainment Guide) and “an emotional highlight” (Theater Pizzazz).

Richard Danley (MD, piano)
Dan Levinson (sax, clarinet)
Ben Sutin (violin)
Vinny Raniolo (guitar, banjo)
Jen Hodge (bass, tuba)
Mike Campenni (drums)

Tickets 

05/01/2022 | Till The End Of Time

The Triad NYC (private event)

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan returns to Feinstein’s/54 Below with her tribute to The Great American Songbook, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by a dynamic four piece swing band comprised of piano, bass, drums, and alto sax/clarinet, this energetic and lively production includes songs such as Adrienne’s special version of “Blue Skies,” a Sinatra Medley, her bossa nova rendition of “All or Nothing At All” as well as many other known and lesser known oeuvres of great American classics.

With Richard Danley (MD) on piano, Dan Levinson on alto sax/clarinet, Tal Ronen (bass) and Mike Campenni on drums.

 

05/17/2022 | Margo&Juliette – A Dance on the Volcano in Weimar Berlin

The Triad Theatre NYC  

“This is the most intriguing show in town at the moment. Beautifully written, with smart dialogues, fabulous music and an eroticism between two beautiful women that is not to be missed!” (Wolf Entertainment Guide)

“The chemistry between the two artists was thrilling and erotic!” (Cabaret Scenes)

“Haan and Dahan deserve all the bravos of this world. A true masterpiece.” (New York Concert Review)

“Not your aunt’s feminism for sure!” (Huffington Post)

After the 2019 success with Berlin, Mon Amour, Chanteuse Internationale Adrienne Haan – who has been artist-in-residence at the Triad since 2016 -brings back to the New York stage French cabaret star Magali Dahan straight from Paris.

 
Margo & Juliette is the story of women in 1920s and early 30s Berlin; about their failures and successes, from feminist struggle to female glamour, (sexual) freedom and the longing for acceptance in politics and society, a story of love, loss and disappointment, a dance on the volcano between the two world wars where each day (and night!) was celebrated as if it was the last.
 
Featuring all Weimar Berlin cabaret songs that were condemned as degenerate” by the rising Nazi Regime, this reflective, political, funny, witty, gentle and erotic soirée noir is set in the historical context of the Weimar Republic, before the rise of Nazism in 1933 closes the curtain of Germany’s Golden Age forever.
 
Written, staged and directed by Adrienne Haan
Choreography by Adrienne Haan & Magali Dahan
Musical Direction by Richard Danley
English song translations by: Jeremy Lawrence, Sam Lerner, Alan Lareau, Kathleen L. Komar, Bari Biern, Adrienne Haan


Trailer: https://www.youtube.com/watch?v=svt7Vwmu9JI

7 pm

» Tickets

05/19/2022 | Margo&Juliette – A Dance on the Volcano in Weimar Berlin

The Triad Theatre NYC 

“This is the most intriguing show in town at the moment. Beautifully written, with smart dialogues, fabulous music and an eroticism between two beautiful women that is not to be missed!” (Wolf Entertainment Guide)

“The chemistry between the two artists was thrilling and erotic!” (Cabaret Scenes)

“Haan and Dahan deserve all the bravos of this world. A true masterpiece.” (New York Concert Review)

“Not your aunt’s feminism for sure!” (Huffington Post)

After the 2019 success with Berlin, Mon Amour, Chanteuse Internationale Adrienne Haan – who has been artist-in-residence at the Triad since 2016 -brings back to the New York stage French cabaret star Magali Dahan straight from Paris.

Margo & Juliette is the story of women in 1920s and early 30s Berlin; about their failures and successes, from feminist struggle to female glamour, (sexual) freedom and the longing for acceptance in politics and society, a story of love, loss and disappointment, a dance on the volcano between the two world wars where each day (and night!) was celebrated as if it was the last.
 
Featuring all Weimar Berlin cabaret songs that were condemned as degenerate” by the rising Nazi Regime, this reflective, political, funny, witty, gentle and erotic soirée noir is set in the historical context of the Weimar Republic, before the rise of Nazism in 1933 closes the curtain of Germany’s Golden Age forever.
 
Written, staged and directed by Adrienne Haan
Choreography by Adrienne Haan & Magali Dahan
Musical Direction by Richard Danley
English song translations by: Jeremy Lawrence, Sam Lerner, Alan Lareau, Kathleen L. Komar, Bari Biern, Adrienne Haan


Trailer: https://www.youtube.com/watch?v=svt7Vwmu9JI

7 pm

» Tickets

 

05/21/2022 | Margo&Juliette – A Dance on the Volcano in Weimar Berlin

The Triad Theatre NYC 

“This is the most intriguing show in town at the moment. Beautifully written, with smart dialogues, fabulous music and an eroticism between two beautiful women that is not to be missed!” (Wolf Entertainment Guide)

“The chemistry between the two artists was thrilling and erotic!” (Cabaret Scenes)

“Haan and Dahan deserve all the bravos of this world. A true masterpiece.” (New York Concert Review)

“Not your aunt’s feminism for sure!” (Huffington Post)

After the 2019 success with Berlin, Mon Amour, Chanteuse Internationale Adrienne Haan – who has been artist-in-residence at the Triad since 2016 -brings back to the New York stage French cabaret star Magali Dahan straight from Paris.

Margo & Juliette is the story of women in 1920s and early 30s Berlin; about their failures and successes, from feminist struggle to female glamour, (sexual) freedom and the longing for acceptance in politics and society, a story of love, loss and disappointment, a dance on the volcano between the two world wars where each day (and night!) was celebrated as if it was the last.
 
Featuring all Weimar Berlin cabaret songs that were condemned as degenerate” by the rising Nazi Regime, this reflective, political, funny, witty, gentle and erotic soirée noir is set in the historical context of the Weimar Republic, before the rise of Nazism in 1933 closes the curtain of Germany’s Golden Age forever.
 
Written, staged and directed by Adrienne Haan
Choreography by Adrienne Haan & Magali Dahan
Musical Direction by Richard Danley
 
English song translations by: Jeremy Lawrence, Sam Lerner, Alan Lareau, Kathleen L. Komar, Bari Biern, Adrienne Haan


ZOOM tickets (show will be accessible for two weeks on demand when purchasing tickets!)
https://metropolitanzoom.ticketleap.com/haan-092521/dates/May-21-2022_at_0200PM
 
Trailer: https://www.youtube.com/watch?v=svt7Vwmu9JI

2 pm matinee.

» Tickets

 

 

05/25/2022 | Margo&Juliette – A Dance on the Volcano in Weimar Berlin

The Triad Theatre NYC

“This is the most intriguing show in town at the moment. Beautifully written, with smart dialogues, fabulous music and an eroticism between two beautiful women that is not to be missed!” (Wolf Entertainment Guide)

“The chemistry between the two artists was thrilling and erotic!” (Cabaret Scenes)

“Haan and Dahan deserve all the bravos of this world. A true masterpiece.” (New York Concert Review)

“Not your aunt’s feminism for sure!” (Huffington Post)

After the 2019 success with Berlin, Mon Amour, Chanteuse Internationale Adrienne Haan – who has been artist-in-residence at the Triad since 2016 -brings back to the New York stage French cabaret star Magali Dahan straight from Paris.

Margo & Juliette is the story of women in 1920s and early 30s Berlin; about their failures and successes, from feminist struggle to female glamour, (sexual) freedom and the longing for acceptance in politics and society, a story of love, loss and disappointment, a dance on the volcano between the two world wars where each day (and night!) was celebrated as if it was the last.
 
Featuring all Weimar Berlin cabaret songs that were condemned as degenerate” by the rising Nazi Regime, this reflective, political, funny, witty, gentle and erotic soirée noir is set in the historical context of the Weimar Republic, before the rise of Nazism in 1933 closes the curtain of Germany’s Golden Age forever.
 
Written, staged and directed by Adrienne Haan
Choreography by Adrienne Haan & Magali Dahan
Musical Direction by Richard Danley
English song translations by: Jeremy Lawrence, Sam Lerner, Alan Lareau, Kathleen L. Komar, Bari Biern, Adrienne Haan

Trailer: https://www.youtube.com/watch?v=svt7Vwmu9JI

7 pm

» Tickets

 

 

06/01/2022 | Cabaret Français

The Union Club, NYC

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Richard Danley on piano.

Union Club members-only event. 

06/08/2022 | We are the People! (Benefit concert for Ukraine)

Pantheon Bonn, Germany

The revenue goes to “Aktion Deutschland Hilft”

In cooperation with the Pantheon Bonn, many wonderful artists have come together to share their talents in the frame of a benefit concert to help the people in Ukraine!

The dazzling entertainer Adrienne Haan, who has performed on on Broadway and at Carnegie Hall, moderates the evening and, accompanied by her trio, delights the audience with well-known show tunes.

The voice of American jazz singer Soleil Niklasson literally shines like the sun – has intensity and color. She and her band merge into one sound and take their listeners on a musical journey full of emotions and pure “joie de vivre”.

Christina Lux is a shining light among the many singer-songwriters. Together with her companion Oliver George on guitar and vocals, they both melt into one another and it is astonishing how space-filling and intensive only two musicians can be.

Evi Niessner with her own glamorous aura is regarded as the outstanding interpreter of French chansons and authentic performer of the icon Piaf. She enchants with Chanson Divine accompanied by piano and violin.

Improvisation artist Christian Padberg – or “Dad’s Phonkey” is a very exceptional talent. Although originally a drummer, he takes the stage on his own – with nothing but his voice and a loop station.

The grand finale is presented by the Bonn Jazzchoir; a-capella Jazz at its best.
Audiences have been raving at their performances.

Tickets

06/18/2022 | Chansons D’Amour (accompanied by the Nuremberg Symphony Orchestra)

Serenadenhof, Nuremberg, Germany

Accompanied by the Nuremberg Symphony Orchestra

A true romantic evening featuring some of the world’s most treasured French chansons by Jacques Brel, Edith Piaf, Charles Aznavour, Kurt Weill and Leonard Cohen. This soirée brings out all the heart and passion these songs possess as Haan guides the audience through the lives of the original interpreters with stories of love and loss.
Details will follow shortly.

Tickets 

06/19/2022 | Chansons D’Amour (accompanied by the Nuremberg Symphony Orchestra)

Serenadenhof, Nuremberg, Germany

Accompanied by the Nuremberg Symphony Orchestra

A true romantic evening featuring some of the world’s most treasured French chansons by Jacques Brel, Edith Piaf, Charles Aznavour, Kurt Weill and Leonard Cohen. This soirée brings out all the heart and passion these songs possess as Haan guides the audience through the lives of the original interpreters with stories of love and loss.
Details will follow shortly.

Tickets 

06/30/2022 | Berlin To Broadway

Residence of the Swiss Ambassador in NYC

The unforgettable evening will feature a musical voyage from 1920s Berlin to recent Broadway while singing Klezmer / Hebrew music, French chansons by Jacques Brel and Edith Piaf, American Songbook favorites, and beloved Broadway show tunes in five different languages.

With Richard Danley on piano.

Private Event

 

09/21/2022 | Cabaret Français (General Assembly at the United Nations)

General Assembly, United Nations, NY

The Permanent Mission of the International Organization of la Francophonie to the United Nations in New York presents Adrienne Haan and her pianist Richard Danley in Cabaret Français for Francophone Night during the 77th session of the United Nations General Assembly. Adrienne Haan is the first artist to ever represent Luxembourg at this event.

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

09/24/2022 | Tehorah (טהורה)

Achava Music Festival, Weimar, Germany

Tehorah, which means “pure” in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert sends out a message of hope for peace among the nations.

The opening speech is delivered by the Antisemitism Commissioner of the German Federal Government, Dr. Felix Klein who is part of the quartet.

Adrienne Haan (Musical Direction and Script)

Benjamin Schaefer (piano)

Accompanied by the Diplomatic String Quartet

Matthias Hummel (1st violin)
Felix Klein (2nd violin)
Ernst Herzog (viola)
Petra Kießling (cello)

Details will follow.

» Tickets

09/26/2022 | Cabaret Français

Krystallpalast, Leipzig, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.
Info to follow soon.

Tickets

09/28/2022 | Cabaret Français

Carte Blanche, Dresden, Germany

THIS PERFORMANCE WAS CANCELLED

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.
Info to follow soon.

Tickets

10/20/2022 | Cabaret Français

Casino 2000, Purple Lounge, Mondorf, Luxembourg

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.
Info to follow soon.

Tickets

10/29/2022 | Between Fire&Ice – A Weimar Berlin Cabaret

Theaterhaus, Stuttgart, Germany

As part of the Spoken Arts Festival 

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

Tickets

 

10/30/2022 | The Blue Angel (new!)

Theaterhaus, Stuttgart, Germany

Film and book in comparison, how does Heinrich Mann’s novel Professor Unrat or The End of a Tyrant, a bitter satire about the German bourgeoisie at the turn of the century and its film adaptation, differ?

The focus of the joint event organized by the German Literature Archive in Marbach and the Spoken Arts Festival is the comparison between Heinrich Mann’s novel and the film by Josef von Sternberg. In the film, Rath violates the rules of society and ultimately breaks under the circumstances. In the novel he runs into self-inflicted misfortune: all his life he had submitted to bourgeois values ​​and acted out his aggression towards his students, now after his dismissal from school he attacks the bourgeois order and celebrates wild parties. The pillars of society gather at his house to gamble and forget their bourgeois manners. Rath enjoys the chaos he’s created. Is this anarchistic tendency of the novel missing in the film? Does the film show the fate of an individual and does without the social satire of the original? What is the difference between book and film and what do these differences do?

The songs from the movie “The Blue Angel” are sung by the great artist Adrienne Haan, accompanied by her long-time accompanist and partner on the piano, Benjamin Schaefer.

11 am

Details will follow soon.

Tickets

10/30/2022 | The Blue Angel (new!)

Literature Archive Marbach, Germany

Film and book in comparison, how does Heinrich Mann’s novel Professor Unrat or The End of a Tyrant, a bitter satire about the German bourgeoisie at the turn of the century and its film adaptation, differ?

The focus of the joint event organized by the German Literature Archive in Marbach and the Spoken Arts Festival is the comparison between Heinrich Mann’s novel and the film by Josef von Sternberg. In the film, Rath violates the rules of society and ultimately breaks under the circumstances. In the novel he runs into self-inflicted misfortune: all his life he had submitted to bourgeois values ​​and acted out his aggression towards his students, now after his dismissal from school he attacks the bourgeois order and celebrates wild parties. The pillars of society gather at his house to gamble and forget their bourgeois manners. Rath enjoys the chaos he’s created. Is this anarchistic tendency of the novel missing in the film? Does the film show the fate of an individual and does without the social satire of the original? What is the difference between book and film and what do these differences do?

The songs from the movie “The Blue Angel” are sung by the great artist Adrienne Haan, accompanied by her long-time accompanist and partner on the piano, Benjamin Schaefer.

5.30 pm

Details will follow soon.

Tickets

11/06/2022 | Tehorah (טהורה)

Senftöpfchen, Cologne, Germany

Tehorah (טהורה)

In the frame of the German-Jewish Year 2021/22

Tehorah, which means “pure” in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains songs from Jewish composers and lyricists, sung in German, Yiddish and Hebrew. At the same time, Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, this soirée sets a sign of hope for peace among the peoples.

With Benjamin Schaefer on the grand piano.

The concert is at 7 pm.

» Tickets

11/09/2022 | Adrienne Haan sings Kurt Weill

Escher Theater, Esch/Alzette, Luxembourg

“Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo.” (Broadway World!)

“Her vocal power and emotional expressions are second to none!” (The Huffington Post)

“Not your aunt’s feminism for sure!” (Cabaret Scenes)

“A brilliant performer who knows how to capture her audience.” (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan’s fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Benjamin Schaefer on piano and the Novembergruppe Quintet on 10 instruments, this show is the “talk of the town” (Wolf Entertainment Guide) and “an emotional highlight” (Theater Pizzazz).

With
Benjamin Schaefer (piano)
Julian Ritter (sax, clarinet, flute)
Maurice Maurer (violin)
Peter Kowal (guitar, banjo)
Volker Kamp (bass, tuba)
Ralf Gessler (drums)

Tickets 

11/13/2022 | Till The End Of Time

Abbaye de Neumünster, Luxembourg

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan makes her Abbaye de Neumünster debut with her tribute to The Great American Songbook, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by a dynamic four piece swing band comprised of piano, bass, drums, and alto sax/clarinet, this energetic and lively production includes songs such as Adrienne’s special version of “Blue Skies,” a Sinatra Medley, her bossa nova rendition of “All or Nothing At All” as well as many other known and lesser known oeuvres of great American classics.

Press quotes:

Haan is the First Lady of Cabaret! (Wolf Entertainment Guide)

Not your aunt’s feminism for sure! (The Huffington Post)

Her voice power and variety are second to none. Brava! (Berliner Morgenpost)

One of the best kept secrets in the world of intellectual solo entertainment. (Luxemburger Wort)

Ms. Haan mesmerized me throughout the whole show. Brilliant voice, provocative, heroic female persona, glamorous presence! (LIVELY-ARTS, NYC)

Powerful, emotive voice. (Theaterlife, NY)

A powerhouse entertainer who knows how to capture her audience. (Cabaret Scenes, NY)

Benjamin Schaefer on piano.
Details will follow shortly.

11h Jazz Brunch

Tickets 

11/19/2022 | Between Fire&Ice – A Weimar Berlin Cabaret

Schauspielhaus Bergneustadt, Germany

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

8 pm

Tickets

 

11/20/2022 | Between Fire&Ice – A Weimar Berlin Cabaret

Schauspielhaus Bergneustadt, Germany

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

6 pm

Tickets

 

12/07/2022 | White Christmas At The Triad

The Triad Theatre NYC

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

 Award winning chanteuse Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back “White Christmas at the Triad” in its fourth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets

12/10/2022 | White Christmas At The Triad

The Triad Theatre NYC

POSTPONED SHOW OF DECEMBER 3rd

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

 Award winning chanteuse Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back “White Christmas at the Triad” in its fourth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets