Purple Lounge, Casino 2000, Mondorf, Luxembourg

With Highlights such as New York, New York, My Way, Cabaret, Strangers in the Night and many more.

After her successful premiere of New York, New York with her 4-piece band at the festival in Wiltz 2023, Adrienne is looking forward to returning to the intimate setting of the beautiful Purple Lounge.

The Luxembourgish-German singer who has lived in NYC for 26 years, is taking the audience on an emotional musical journey through the Big Apple: Accompanied by her pianist Lars Duppler, Adrienne presents US classics from Musicals as well as the Great American Songbook. This explosive tour-de-force features songs originally sung by Frank Sinatra, Ella Fitzgerald, Liza Minelli, Sarah Vaughan, Bing Crosby and others. Adrienne continues their legacy with her enormous stage presence and strong singing voice. This show, which will be moderated in French, won the Bistro Award in New York in 2023 in the category “best solo show”.

Adrienne Haan: Vocals, Concept, Realization

Lars Duppler: Piano

“A sensational voice!” (The New York Times)

“A powerful, enigmatic interpretation of renowned classics.” (Berliner Morgenpost)

“Adrienne Haan is an entertainer of the highest caliber.” (The Huffington Post)

For more information, please visit: www.adriennehaan.com

Tickets

Mon Ami, Weimar, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.

Tickets

Krystallpalast, Leipzig, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan returns to the the Krystallpalast with her tribute to the Big Apple and The Great American Songbook and New York City, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by Benjamin Schaefer on the piano, this energetic and lively production includes songs such as New York, New York, My Way, Cabaret, Strangers in the Night and many more. This is a highly entertaining evening that takes you straight to Broadway and beyond.

Tickets

The Halle Foundation, Atlanta, Georgia

As part of "The German Weeks" sponsored by the German Consulate General in Atlanta

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Richard Danley is Music Director.

Information

Museum of Fine Arts, Houston, TX

Under the patronage of the German Consulate General in Houston

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Richard Danley is Music Director.

Information
 

The Triad NYC

After her successful premiere of New York, New York with her 4-piece band in Luxembourg and Germany, Adrienne is looking forward to returning to her theater of residence, the Triad NYC to deliver HER very personal tribute to the Big Apple, so NO! This is NOT the cliché show you might expect! 

After 26 years in New York City, Chanteuse Internationale and Comédienne par Excellence Adrienne thought it was time to tell her personal and witty stories of the ups and downs in New York show biz and why New York City deserves its own dedication, especially after the pandemic. As usual, this is a funny and exciting musical journey, this time taking the audience on a hight-speed ride through the Big Apple, that dear ol’ dirty town: Accompanied by her MD of nearly 22 years, Richard Danley, Adrienne presents Musical Theater classics as well as songs from the Great American Songbook. This explosive tour-de-force features songs originally sung by Frank Sinatra, Ella Fitzgerald, Liza Minelli, Mary Martin, Sarah Vaughan, Bing Crosby and others. Adrienne continues their legacy with her enormous stage presence and strong singing voice.

Sitting in with her will be America’s Baritone and Broadway Star William Michals. William was last seen in Broadway’s “Parade". Major Broadway credits include "Émil De Beque" in the Lincoln Center revival of "South Pacific" and "The Beats" in Disney’s “Beauty and the Beast”. More information on William Michals: www.williammichals.com

For all New York lovers and fans of Adrienne Haan, this show is not to be missed! Hilarious, exciting and emotional!

“A sensational voice!” (The New York Times)

“Ms. Haan is a sterling example of a one-woman performance!” (Will Friedwald for the New York Sun)

“A powerful, enigmatic interpretation of renowned classics.” (Berliner Morgenpost)

“Adrienne Haan is an entertainer of the highest caliber.” (The Huffington Post)

Tickets 

The Triad Theatre NYC

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

Award winning Chanteuse Internationale Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back "White Christmas at the Triad" in its fifth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets

The Triad Theatre NYC

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

Award winning Chanteuse Internationale Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back "White Christmas at the Triad" in its fifth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets

The Holocaust Center Cape Town

Degenerate Music was a label applied in the 1930s by the Nazi government in Germany to certain forms of music that it considered to be harmful or decadent. The Nazi government's concern for degenerate music was a part of its larger and more well-known campaign against degenerate art (German: Entartete Kunst). In both cases, the government attempted to isolate, discredit, discourage, or ban the works.

From the Nazi seizure of power onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g., Arnold Schoenberg, Kurt Weill, Paul Hindemith, Berthold Goldschmidt); or retreated into "internal exile" (e.g., Karl Amadeus Hartmann, Boris Blacher); or ended up in the concentration camps (e.g., Viktor Ullmann, or Erwin Schulhoff).

Like degenerate art, examples of degenerate music were displayed in public exhibits in Germany beginning in 1938. One of the first of these was organized in Düsseldorf by Hans Severus Ziegler, at the time superintendent of the Weimar National Theatre, who explained in an opening speech that the decay of music was "due to the influence of Judaism and capitalism".

Ziegler's exhibit was organized into seven sections, devoted to (Anon. 1938, 629):

1. The influence of Judaism
2. Schoenberg
3. Kurt Weill and Ernst Krenek
4. Minor Bolsheviks (Franz Schreker Alban Berg, Ernst Toch, etc.)
5. Leo Kestenberg, director of musical education before 1933
6. Hindemith's operas and oratorios
7. Igor Stravinsky

In her lecture, Adrienne Haan goes into detail about the origins of this catastrophe, featuring certain artists. There will be a powerpoint presentation with music toward the end of the lecture, a Q&A session as well as a reception.

In cooperation with MemoShoah Luxembourg, Op der Schmelz, the city of Dudelange and the German Embassy in Luxembourg.

This event is under patronage of the German Consulate General in Cape Town.

The lecture begins at 6 pm and is FREE of charge.

 » Information

Nuremberg Symphony Orchestra, Heinrich-Lades-Halle Erlangen, Germany

Senftöpfchen Theater, Cologne, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan returns to the the Senftöpfchen with her tribute to the Big Apple and The Great American Songbook and New York City, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by Lars Duppler on the piano, this energetic and lively production includes songs such as New York, New York, My Way, Cabaret, Strangers in the Night and many more. This is a highly entertaining evening that takes you straight to Broadway and beyond.

Tickets

Stadttheater Fürth, Germany

"Haan is the First Lady of Cabaret!" (Wolf Entertainment Guide)

"Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo." (Broadway World!)

"Her vocal power and emotional expressions are second to none!" (The Huffington Post)

"Not your aunt's feminism for sure!" (Cabaret Scenes)

"A brilliant performer who knows how to capture her audience." (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan's fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Benjamin Schaefer on piano and the Novembergruppe Quintet on 10 instruments, this show is the "talk of the town" (Wolf Entertainment Guide) and "an emotional highlight" (Theater Pizzazz).

With
Benjamin Schaefer (piano)
Julian Ritter (sax, clarinet, flute)
Maurice Maurer (violin)
Peter Kowal (guitar, banjo)
Volker Kamp (bass, tuba)
Ralf Gessler (drums)

Tickets 

Pantheon, Bonn, Germany

International Chanteuse Adrienne Haan is happy to present her ONE WORLD show inner German home town Bonn. This show has the goal to express that we are indeed ONE WORLD and that we all are sharing this planet, setting a sign against all wars, hatred and current populist movements. Adrienne builds bridges among the nations and this soirée is more important than ever. This highly entertaining variety show is funny and smart, yet it should make people think. She has received high praise for ONE WORLD in NYC and many rave reviews.

Haan has recently performed in the USA, Europe, Israel, Turkey, China, Australia, South America and Africa and a lot of languages and world music have influenced her career. She continues to thrill audiences world-wide as well as in NY and is happy to share her multilingual feast of international music with the New Yorkers at her home base, the Triad Theatre. This show includes songs in English, German, Luxembourgish, Swedish, Yiddish, Hebrew, French, Spanish, Italian, Turkish, Ukrainian, Mandarin and Zulu! 

With Benjamin Schaefer (MD) on piano and Tim Kleren on drums.

» Tickets

The Triad Theater NYC in collaboration with Carnegie Hall

As part of Carnegie Hall's festival "The Rise and Fall of Weimar"

With MD Richard Danley on the piano

On November 9, 1918, the German Social Democrat Philipp Scheidemann proclaims the collapse of the German Empire from a balcony of the Reichstag building, declaring the first German Republic. The Weimar Constitution is signed on August 11, 1919 and promulgated on August 14.

It's a time of change. A time of challenge. A time of experiments. A time when traditions are going down the drain. The Great World War is lost, the Kaiser in exile. Germany experiments with a new form of government: The Weimar Republic is born and with it a nation longing for latitude.

Chanteuse Internationale Adrienne Haan, artist-in-residence at the Triad Theater NYC, explores the musical cabaret repertoire of that time with her virtuoso voice and great acting skills. Berlin; yes, that’s the wild, wicked, feverishly crazy metropolis of the short-lived republic between the two world wars (1919-1933). Its appeal is unique to this day, flaring up again and again in unbroken fascination. Dietrich, Hollaender, Tucholsky, Spoliansky, Weill and Brecht, Eisler, they all come alive again. Accompanied by her Music Director of 22 years, Richard Danley on the grand piano, she re-lives the bodacious epoch of the Roaring 20s. Berlin’s nightlife become vivid again. The ravishing songs, couplets and chansons are the liveliest testimony of this time: They capture everything - the passion and the melancholy, the addiction to life and lust, all the diabolically erotic stuff including the uncertainty of which gender belongs where until the rise of the Nazis in 1933 will close the curtain on Berlin’s “Golden Age” forever. 

Today, this soiree is an important warning that almost 100 years after the fall of the Weimar Republic, the world is once again facing the threats of the past.

The artist weaves the threads between feminist struggle and female glamor and takes the audience on an exciting musical journey through history.

This soirée is moderated and sung in English. To show the authenticity of the songs, the artist presents some of the original German lyrics in various places.

Approx Running Time: 85 minutes with no intermission.

Please Note: the venue has a 2-beverage minimum per person.

“Adrienne Haan is an entertainer of the highest caliber!” (The New York Times)
“Haan is the First Lady of live entertainment.” (The Huffington Post)
“An entertainer who knows how to capture her audience.” (The New York Concert Review)
“Ms. Haan is possessing one of the most palatable voices on the scene.” (Broadway World)
“An exceptional song interpreter with a grand voice.” (Berliner Morgenpost)
“An enticingly warm voice. Passionate and dramatic.” (Le Monde)

For more information, please visit www.adriennehaan.com

Tickets
 

Philharmonie Südwestfalen, Olpe, Germany