Chamber Philharmonic Orchestra of Łomża, Poland

In commemoration of Holocaust Remembrance Day 2022

Tehorah, which means "pure" in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert sends out a message of hope for peace among the nations.

Adrienne Haan (Vocal, Script)

Michael Zukernik (MD)

Accompanied by the Chamber Philharmonic Orchestra of Łomża

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Schauspielhaus Bergneustadt, Germany

Within the German-Jewish Year 2021: 1700 Years Jewish Live in German Lands

Tehorah, which means "pure" in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert now commemorates the 75th anniversary of the end of the Holocaust and sends out a message of hope for peace among the nations.

The opening speech is delivered by the Antisemitism Commissioner of the German Federal Government, Dr. Felix Klein who is part of the quartet.

Adrienne Haan (Musical Direction and Script)

Benjamin Schaefer (piano)

Accompanied by the Diplomatic String Quartet Berlin.

Henriette Scheytt (1st violin)
Felix Klein (2nd violin)
Ernst Herzog (viola)
Gabriella Strümpel (cello)

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Pantheon Bonn, Germany

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the First Lady of Cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world. A resident of New York City, Adrienne is artist-in-residence at the renowned Triad Theatre in NYC where she has enthusiastically been received by NY audiences for 5 years.

Her uniquely crafted Cabaret Français features classics by Edith Piaf, Charles Aznavour and Jacques Brel, and introducing lesser known works such as 1920s and 1930s French chansons by German Jewish composer Kurt Weill and Austrian Jewish composer Walter Jurmann. It also includes contemporary pop-jazz songs originally performed by the French star Patricia Kaas and French Canadian singer Isabelle Boulay.

Cabaret Français is an entertaining and elegant soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess.

With Benjamin Schaefer on piano.

Tickets

Triad Theater NYC

"Haan is the First Lady of Cabaret!" (Wolf Entertainment Guide)

"Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo." (Broadway World!)

"Her vocal power and emotional expressions are second to none!" (The Huffington Post)

"Not your aunt's feminism for sure!" (Cabaret Scenes)

"A brilliant performer who knows how to capture her audience." (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan's fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Richard Danley on the piano and "Nighthawk" Dan Levinson and his Novembergruppe Quintet on 10 instruments, this show is the "talk of the town" (Wolf Entertainment Guide) and "an emotional highlight" (Theater Pizzazz).

Richard Danley (MD, piano)
Dan Levinson (sax, clarinet)
Ben Sutin (violin)
Vinny Raniolo (guitar, banjo)
Jen Hodge (bass, tuba)
Mike Campenni (drums)

This is a 2 pm matinee.

Tickets 

Triad Theater NYC

"Haan is the First Lady of Cabaret!" (Wolf Entertainment Guide)

"Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo." (Broadway World!)

"Her vocal power and emotional expressions are second to none!" (The Huffington Post)

"Not your aunt's feminism for sure!" (Cabaret Scenes)

"A brilliant performer who knows how to capture her audience." (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan's fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Richard Danley on the piano and "Nighthawk" Dan Levinson and his Novembergruppe Quintet on 10 instruments, this show is the "talk of the town" (Wolf Entertainment Guide) and "an emotional highlight" (Theater Pizzazz).

Richard Danley (MD, piano)
Dan Levinson (sax, clarinet)
Ben Sutin (violin)
Vinny Raniolo (guitar, banjo)
Jen Hodge (bass, tuba)
Mike Campenni (drums)

Tickets 

The Triad NYC (private event)

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan returns to Feinstein’s/54 Below with her tribute to The Great American Songbook, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by a dynamic four piece swing band comprised of piano, bass, drums, and alto sax/clarinet, this energetic and lively production includes songs such as Adrienne’s special version of “Blue Skies,” a Sinatra Medley, her bossa nova rendition of “All or Nothing At All” as well as many other known and lesser known oeuvres of great American classics.

With Richard Danley (MD) on piano, Dan Levinson on alto sax/clarinet, Tal Ronen (bass) and Mike Campenni on drums.

Serenadenhof, Nuremberg, Germany

Accompanied by the Nuremberg Symphony Orchestra

A true romantic evening featuring some of the world’s most treasured French chansons by Jacques Brel, Edith Piaf, Charles Aznavour, Kurt Weill and Leonard Cohen. This soirée brings out all the heart and passion these songs possess as Haan guides the audience through the lives of the original interpreters with stories of love and loss.
Details will follow shortly.

Tickets 

Serenadenhof, Nuremberg, Germany

Accompanied by the Nuremberg Symphony Orchestra

A true romantic evening featuring some of the world’s most treasured French chansons by Jacques Brel, Edith Piaf, Charles Aznavour, Kurt Weill and Leonard Cohen. This soirée brings out all the heart and passion these songs possess as Haan guides the audience through the lives of the original interpreters with stories of love and loss.
Details will follow shortly.

Tickets 

Residence of the Swiss Ambassador in NYC

The unforgettable evening will feature a musical voyage from 1920s Berlin to recent Broadway while singing Klezmer / Hebrew music, French chansons by Jacques Brel and Edith Piaf, American Songbook favorites, and beloved Broadway show tunes in five different languages.

With Richard Danley on piano.

Private Event

Achava Music Festival, Weimar, Germany

Tehorah, which means "pure" in Hebrew, is a heartbreaking, promising musical story about war, loss, hope, love and forgiveness. The soirée contains German, Yiddish and Hebrew songs that were composed and written exclusively by Jewish composers and lyricists; but at the same time Tehorah is a historical-poetic portrait. First performed at Carnegie Hall in New York, the concert sends out a message of hope for peace among the nations.

The opening speech is delivered by the Antisemitism Commissioner of the German Federal Government, Dr. Felix Klein who is part of the quartet.

Adrienne Haan (Musical Direction and Script)

Benjamin Schaefer (piano)

Accompanied by the Diplomatic String Quartet

Matthias Hummel (1st violin)
Felix Klein (2nd violin)
Ernst Herzog (viola)
Petra Kießling (cello)

Details will follow.

» Tickets

Theaterhaus, Stuttgart, Germany

As part of the Spoken Arts Festival 

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

Tickets

Literature Archive Marbach, Germany

Film and book in comparison, how does Heinrich Mann's novel Professor Unrat or The End of a Tyrant, a bitter satire about the German bourgeoisie at the turn of the century and its film adaptation, differ?

The focus of the joint event organized by the German Literature Archive in Marbach and the Spoken Arts Festival is the comparison between Heinrich Mann's novel and the film by Josef von Sternberg. In the film, Rath violates the rules of society and ultimately breaks under the circumstances. In the novel he runs into self-inflicted misfortune: all his life he had submitted to bourgeois values ​​and acted out his aggression towards his students, now after his dismissal from school he attacks the bourgeois order and celebrates wild parties. The pillars of society gather at his house to gamble and forget their bourgeois manners. Rath enjoys the chaos he's created. Is this anarchistic tendency of the novel missing in the film? Does the film show the fate of an individual and does without the social satire of the original? What is the difference between book and film and what do these differences do?

The songs from the movie "The Blue Angel" are sung by the great artist Adrienne Haan, accompanied by her long-time accompanist and partner on the piano, Benjamin Schaefer.

5.30 pm

Details will follow soon.

Tickets

Escher Theater, Esch/Alzette, Luxembourg

"Haan is the First Lady of Cabaret!" (Wolf Entertainment Guide)

"Haan is possessing of one of the most palatable voices on the scene, immersing herself into the storytelling, committing herself to character choices that would hurt the vocal instruments of less experienced performers, then turning on a dime with what can only be described as full opera, at times shocking a person with the beauty and the power of her unblemished mezzo." (Broadway World!)

"Her vocal power and emotional expressions are second to none!" (The Huffington Post)

"Not your aunt's feminism for sure!" (Cabaret Scenes)

"A brilliant performer who knows how to capture her audience." (Berliner Morgenpost)

Adrienne Haan is happy to bring her Kurt Weill Soirée back to the Triad NYC!
In this soirée, Haan focuses on the history of the works of Kurt Weill. Starting in Berlin in the 1920s and 30s, featuring his famous songs of the Weimar years, to the time he spent in exile in Paris highlighting some of his less known, but glorious French oeuvres as well as his American successes during the 1940s. Haan presents this soirée as a musical voyage, portraying his opuses in their original character and length with new arrangements to match her voice and performance style. All of them are presented in the original language.

This show is highlighting Haan's fantastic skills as an actress, her brilliant singing voice, her extraordinary vocal range and ability to sing different music styles.

Directed by Barry Kleinbort, accompanied by her long-time music director Benjamin Schaefer on piano and the Novembergruppe Quintet on 10 instruments, this show is the "talk of the town" (Wolf Entertainment Guide) and "an emotional highlight" (Theater Pizzazz).

With
Benjamin Schaefer (piano)
Julian Ritter (sax, clarinet, flute)
Maurice Maurer (violin)
Peter Kowal (guitar, banjo)
Volker Kamp (bass, tuba)
Ralf Gessler (drums)

Tickets 

Cerclé de la Cité, Luxembourg

A show with music from all around the world, with special guest appearance by Canadian baritone David John Pike: www.davidjohnpike.com 

Benjamin Schaefer is Music Director.

An event of the Zonta Club Luxembourg to celebrate strong women.

Private event

Abbaye de Neumünster, Luxembourg

Haan, an effervescent and celebrated international entertainer, performs a divers and multilingual repertoire. Cited as “the first lady of cabaret” by Wolf Entertainment Guide and “New York’s most exciting cabaret star today” by the New York Concert Review, her performances have garnered numerous standing ovations, most notably at Carnegie Hall, Ravinia Festival, and concert halls around the world.

Haan makes her Abbaye de Neumünster debut with her tribute to The Great American Songbook, an entertaining soirée of the highest caliber. Distinctive interpretations of these classics were arranged to compliment her unique stage presence and vocal prowess. Accompanied by a dynamic four piece swing band comprised of piano, bass, drums, and alto sax/clarinet, this energetic and lively production includes songs such as Adrienne’s special version of “Blue Skies,” a Sinatra Medley, her bossa nova rendition of “All or Nothing At All” as well as many other known and lesser known oeuvres of great American classics.

Press quotes:

Haan is the First Lady of Cabaret! (Wolf Entertainment Guide)

Not your aunt’s feminism for sure! (The Huffington Post)

Her voice power and variety are second to none. Brava! (Berliner Morgenpost)

One of the best kept secrets in the world of intellectual solo entertainment. (Luxemburger Wort)

Ms. Haan mesmerized me throughout the whole show. Brilliant voice, provocative, heroic female persona, glamorous presence! (LIVELY-ARTS, NYC)

Powerful, emotive voice. (Theaterlife, NY)

A powerhouse entertainer who knows how to capture her audience. (Cabaret Scenes, NY)

Benjamin Schaefer on piano.
Details will follow shortly.

11h Jazz Brunch

Tickets 

Schauspielhaus Bergneustadt, Germany

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

8 pm

Tickets

Schauspielhaus Bergneustadt, Germany

A diabolical Weimar Berlin Cabaret depicting Berlin during the 1920s: A time of change, challenge, experiments and when traditions went down the drain. With the First World War lost and the Kaiser in exile, Germany began to experiment with a new form of government: the Weimar Republic was born and with it a nation longing for latitude.  Come and celebrate the Golden Age, the dance on the volcano between the two World Wars, a time of creativity, art, music and culture, the women’s movement, and gay liberation. Haan re-lives this bodacious period probing the ties between feminist struggle and female glamour, taking you on an enchanting musical voyage through history.

Benjamin Schaefer is Music Director.

6 pm

Tickets

The Triad Theatre NYC

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

 Award winning chanteuse Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back "White Christmas at the Triad" in its fourth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets

The Triad Theatre NYC

POSTPONED SHOW OF DECEMBER 3rd

White Christmas At The Triad 
A Celebration of the Life and Music of Irving Berlin

“Adrienne Haan is the First Lady of Cabaret!” (Wolf Entertainment Guide)

“A star who knows how to capture her audience!” (Berliner Morgenpost)

“Haan and Danley’s interaction and voices are striking!” (Times Square Chronicles)

“An entertainer of the highest caliber!” (The Huffington Post)

 Award winning chanteuse Adrienne Haan and her long time music director Richard Danley on piano and vocals are bringing back "White Christmas at the Triad" in its fourth year due to popular demand!
Written by Laurence Pierron, this soirée tells the life story of great American composer Irving Berlin from Imperial Russia, to Antwerp, Belgium via Ellis Island to the lower East Side as a child, all the way to Beekman Place, Broadway and Hollywood as and adult; And….his surprisingly close relation to the Grand Duchy of Luxembourg!
Combining their talents, Adrienne Haan and Richard Danley are presenting some of the most beautiful (Christmas) songs and as well as lesser known oeuvres of the fabulous American composer to start off the festive season with beloved music for young and old.

Featuring Adrienne Haan 
With Richard Danley as Music Director (and vocals)
Directed, choreographed and staged by Adrienne Haan 
Original idea and written by Laurence Pierron
Produced by Peter Martin and Joseph Barry

» Tickets